BEGIN:VCALENDAR VERSION:2.0 PRODID:-//wp-events-plugin.com//7.2.3.1//EN TZID:Europe/Warsaw X-WR-TIMEZONE:Europe/Warsaw BEGIN:VEVENT UID:22775@night4u.pl DTSTART;TZID=Europe/Warsaw:20190728T070000 DTEND;TZID=Europe/Warsaw:20190728T233000 DTSTAMP:20190719T144329Z URL:https://night4u.pl/wydarzenia/soulfly-support-serpentyne/ SUMMARY:Soulfly + support Serpentyne DESCRIPTION:Soulfly at Klub Proxima\, Warsaw\, Poland\, 28th July\nSupport: Serpentyne\n\nSoulfly:\nMax Cavalera is the walking embodiment of creativ e energy\, of all of the diverse layers of urgency that are possible from that select few whose artistic output defines genres. Mystic shaman\, prot est singer\, revolutionary hero\, everyday metalhead\, furious consumer of heavy music of all shades\, husband\, father\, leader\, songwriter… Cav alera reigns as the adoptive tribal chief of a generation of fans\, stretc hing from the roughest slums of South America to the coldest confines of R ussia. Anywhere that people are disenfranchised\, the songs of SOULFLY ser ve as their anthems.\nArmed with Cavalera’s four-stringed guitars\, unmi stakable growl and instantly recognizable riffage\, the muddy tones and co nstant rhythmic bounce of SOULFLY has retained its gritty edge while pushi ng the boundaries of what’s possible in metal. »Savages« represents a career-defining moment\, solidifying the lineup with longtime lead guitari st Marc Rizzo (who has been in SOULFLY almost as long as Max was in SEPULT URA)\, bassist Tony Campos (Static X\, Ministry\, Prong) and Max’s 21 ye ar-old Zyon\, who splits his time between drumming in LODY KONG and now SO ULFLY.\n“All of the things that make SOULFLY killer are combined in Sava ges\,” Max declares.\n»Savages« melds the most brutal\, the heaviest a nd overall the most vibrant components that made up each record in SOULFLY ’s diverse catalog. By Max’s own account\, »Savages« is possessed of the tribal groove of the first two SOULFLY albums\, particularly in songs like ‘Bloodshed’\, ‘Ayatollah of Rock ‘N’ Rolla’ and ‘Maste r of Savagery’. But there’s also the thrash metal that was found on DA RK AGES and OMEN\; whereas the CAVALERA CONSPIRACY records contain short\, punky bursts\, the new SOULFLY record gets into the epic length territory of early METALLICA. The death metal vibe of SOULFLY’s »Enslaved« emer ges in songs like ‘Fallen’ and ‘Cannibal Holocaust’.\n“I really like the name »Savages«. I like single words that sound powerful\, like ‘Primitive’\, ‘Roots’\, ‘Arise’\,” Max explains. “It’s a bout the human condition right now. We have the Internet and we’re worki ng on missions to Mars\, but we are still decapitating each other and blow ing up marathons. We’re still savages. Even with technology and how far we’ve come in the world\, our spirit is still that of a savage.”\nA tr ailblazing pioneer and musician with millions of albums sold who neverthel ess retains boundless street cred due to his grimy\, raw and undeniable au thenticity\; Max Cavalera is one of the most prolific artists the realm of heavy music has ever known. There’s CAVALERA CONSPIRACY\, which reunite d Max with his brother and former bandmate\, Igor Cavalera. There was the brutal attack of NAILBOMB\, Max’s collaboration with Alex Newport from F UDGE TUNNEL\, which included members of DEAD KENNEDYS\, FRONT LINE ASSEMBL Y\, BIOHAZARD and NEUROSIS on-stage. There’s his forthcoming band with m embers of THE DILLINGER ESCAPE PLAN\, MASTODON and THE MARS VOLTA. Of cour se\, there’s Max’s unassailable work as SEPULTURA’s founder\, leadin g the Brazilian band from their badass lo-fi beginnings\, through their er a of sophisticated thrash classics\, up through the cultural landmark that is ‘Roots’.\nSOULFLY began almost instantaneously after his departure from the band he founded. The eponymously titled debut »Soulfly« sold o ver 500\,000 copies in the United States alone\, further expanding upon th e tribal foundation of ‘Roots’ with percussive instrumentation\, foray s into esoteric sounds and multiple guest performers. Across the seven alb ums and never-ending tours that followed\, Max worked with a who’s-who o f the heavy music scene as band mates\, guest musicians and touring member s\, including guys from SLIPKNOT\, SLAYER\, MEGADETH\, DEFTONES\, RADIOHEA D\, STONE SOUR\, CYPRESS HILL\, MACHINE HEAD\, DEVILDRIVER\, FEAR FACTORY\ , MORBID ANGEL\, THROWDOWN\, S.O.D.\, SKINDRED\, BORKNAGAR\, WILL HAVEN an d CATTLE DECAPITATION\, among others.\nIn addition to Max’s own self-pro duction\, a number of important producers have lent their skills to SOULFL Y\, including »Roots« producer Ross Robinson (KORN\, AT THE DRIVE-IN)\, Toby Wright (Ozzy Osbourne\, SLAYER)\, Andy Sneap (MEGADETH\, KILLSWITCH E NGAGE)\, ex-SOULFLY guitarist Logan Mader (FIVE FINGER DEATH PUNCH\, GORJI A) and Zeuss (HATEBREED\, SUICIDE SILENCE) and Terry Date (PANTERA\, DEFTO NES).\nCavalera asked Date\, who had mixed for SOULFLY in the past\, to pr oduce the new album. Once studio time with the legendary producer was on t he calendar\, Max kicked into high gear with the material. Max and Zyon wo rked on the songs that would comprise »Savages« at home. “Zyon came up to me and said\, ‘Give me a shot. I’ll play on the record for you. I won’t let you down\,” explains the elder Cavalera. “I went into a ro om with him to jam and it felt great. So I said\, ‘Fuck yeah\, let’s d o it!”\nGenerally on a SOULFLY album\, the drummers would learn the song s in the studio\, based on demo recordings from Max. This time\, Max had t he luxury of working out the songs at home with Zyon. “We jammed every s ingle day for a month. He knew 90% of the material already when we got int o the studio. It reminded me of recording the old Sepultura stuff\, like A rise and Chaos A.D.\, Igor knew exactly what he was going to do before we went into the studio. This was very similar.”\nCavalera says he must’v e written at least 1\,000 riffs specifically for »Savages«. “The kille r riff is what hooks the whole song together\,” he says. “For me the w riting process is about finding the most killer riffs possible. It's a bat tle\; sometimes I struggle with the guitar for hours. You have to throw it down on the floor and take a break. Come back a few hours later. ‘Let ’s try this again\, motherfucker!’ Grab it again and go to battle\, go to war with the guitar until you get the right riffs.”\nMax points to B LACK SABBATH’s ‘Symptom of the Universe’ as one of the penultimate r iffs of all time\, citing SABBATH’s Tony Iommi and METALLICA frontman Ja mes Hetfield as among the riff-masters he most admires. “I think of riff making as an art-form. I take it really seriously. I think it deserves mo re attention. It has such value.”\nSpeaking of riffs\, Rizzo came into t he band a decade ago and his love of thrash metal\, death metal and collab orative spirit has energized Max ever since. “When Marc entered Soulfly\ , it was a drastic change. He's the guitar player I've been looking for my whole life. Andreas [Kisser] and I really clicked when we worked together . I never had that again after that. We had other guys that were cool\, bu t it was never 100% there. When Marc came in\, I found it! We’ve develop ed a great bond since.” Rizzo particularly shines on the opening track o n Savages\, ‘Bloodshed.’ “There’s stuff all over the song – clea n guitars\, feedback – he just makes the song better.”\nCampos has a l engthy resume in the world of metal and Max says they bonded over their sh ared Latino heritage\, among other things. “I had this idea about this g uy Vargas\, a Venezuelan cannibal\, they call him ‘El Comegente.’ He ’s the Hannibal Lecter of the Andes. We both read about it. Tony sings s ome of it in Spanish and I sing in Portuguese. He’s a great bass player too\, fucking amazing. Killer bass tones\, distortion\, all balls-out meta l. He keeps this shit real heavy\, great tone. It’s great recording with guys who know what they’re doing. I don’t have to ask if they know. ”\nMax acknowledges the inherent risk in putting a 21 year-old behind th e kit for such an important record\, but it was a risk he absolutely wante d to take. “To have my son drumming on the album\, that's killer. I like risks. I like to start shit up and see what happens. Even if I fail\, at least I knew I tried. Rather than knowing I didn't try at all. To me\, tha t's the bigger failure. It took a little bit of courage to put my son on i t. I came to the studio and told Terry there was a young drummer who doesn ’t play to a click. Terry knew what to do and Zyon did great. The drums sound amazing.”\nLike all things Max Cavalera\, does SOULFLY’s »Savag es is a family affair. Not only does it mark Zyon’s recorded debut with the band\, but one of Max’s other kids throws down some vocals in the op ening track\, ‘Bloodshed’. “My son Igor has a killer punk rock voice that reminds me of the old CORROSION OF CONFORMITY days\,” Max says. “The chorus has this old punk style riff\, almost like a MISFITS type ri ff. His voice is killer.”\nLike every SOULFLY album\, »Savages« contai ns an impressive guest list comprised of veterans and up-and-comers. CLUTC H’s Neil Fallon turns up on ‘Ayatollah of Rock ‘N’ Rolla’\, the title of which was inspired by Mel Gibson’s classic Mad Max 2: The Road Warrior movie. Jamie Hanks from I DECLARE WAR brought his high and low dea thcore vocals to ‘Fallen’\, a death metal oriented song Max says is in the vein of CANNIBAL CORPSE.\nMitch Harris from NAPALM DEATH contributed vocals to ‘K.C.S.’ Harris has been around the Cavaleras long enough th at there are videos of him changing Zyon’s diapers when SOULFLY’s new drummer was just one month old. “Mitch came to the studio just to hang o ut during a day off from tour\,” Max explains. “I'm like\, ‘You read y to sing some shit on this record?’ I put him on the spot. He's like\, ‘Right now?’ I said\, ‘Fuck yeah\, let's do it!’ There was one poi nt where we were recording together where he did a scream and I saw his ey eball popping out of his face like a cartoon. I was like\, ‘Dude that wa s the most metal thing I’ve seen in a long time.’”\nMax continues to consume new music from bands like NAILS\, MAN MUST DIE\, TRIGGER THE BLOO DSHED and I DECLARE WAR\, even as he revisits seminal material from METALL ICA\, SLAYER\, C.O.C. and the like\, and indulges his penchant for world m usic\, and gets his hands in his other projects and collaborations. It all adds up to a singular\, distinct\, straightforward and riff-heavy machine known as SOULFLY.\n------------------------------------------------------ --\nSupport:\nSerpentyne:\nhttps://www.youtube.com/watch?v=QNbZo5K0OYk\n\n Serpentyne was created in 2010\, inspired by a combination of Celtic\, Fol k\, and Symphonic metal styles.\n\nAfter the release of two albums\, inspi red by medieval music\, the third album “The Serpent’s Kiss” was rel eased in 2016\, featuring mythic & medieval themes as before\, but heading towards a heavier rock and metal sound. This change of musical direction won the band their place as finalists in the Metal To The Masses\, London contest\, 2018.\n\nSerpentyne has been playing extensively around the UK a nd the rest of Europe during the last 8 years. \n\nRecent concerts:\nOctob er 2018- The band supported Tarja and Stratovarious on their major tour “A Nordic Symphony 18”\, with 22 dates last October\, throughout Germa ny\, France\, Switzerland\, the Netherlands\, Austria\, Italy\, Hungary\, Bulgaria\, Czech Republic and Poland.\n\nFebruary 2019- Earlier this year\ , the band supported Imperial Age (RU) during their UK tour\, with 4 dates in February in London\, Derby\, Glasgow and Edinburgh.\n\nMarch 2019-The band will be supporting Folk/metal band from Latvia Syforger in Nottingham at The Old Salutation Inn on the 21st.\n\nMay 2019- The band went back to support Tarja Turunnen\, this time during her Ukraine and Belarus tour.\n \nJuly 2019- The band supports legendary metal band Soulfly as part of the ir European tour\, in Parma\,Italy\, Zurich\,Switzerland\, Oslo\,Denmark\, Warsaw\, Poland and Graz\, Austria. \n\nFronted by classically trained so prano singer Maggiebeth Sand\, and backed by Vaughan Grandin on bagpipes\, Lee Willmer on guitar\, Nigel Middleton on bass\, and John Haithwaite on drums\, Serpentyne combine a unique mix of symphonic and folk metal styles \, with themed songs about historical figures and legends\, such as Boudic ca\, The Valkyries\, Viking Blood\, Helen Of Troy\, Jeanne d’ Arc\, and The Dark Queen\, amongst many others.\n\nTheir inspiration come from medie val music\, symphonic metal\, Folk Metal\, and from classical and cinemati c music.\nWhat the media have said about Serpentyne’s album “The Serpe nt’s Kiss” (2016:)\n“Lavishly orchestrated cinematic majesty.” (Pr ogression\, USA.)\n\nwww.serpentyne.com\nwww.facebook.com/serpentynemusic ATTACH;FMTTYPE=image/jpeg:https://night4u.pl/wp-content/uploads/2019/07/53 838_image_66774167_2612863785425290_3776360006576766976_o.jpg CATEGORIES:mazowieckie LOCATION:Klub Proxima\, ul. Żwirki i Wigury 99a\, Warsaw\, 02-089\, Poland GEO:52.212586;20.98704 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=ul. Żwirki i Wigury 99a\, Warsaw\, 02-089\, Poland;X-APPLE-RADIUS=100;X-TITLE=Klub Proxima:geo:52.21 2586,20.98704 END:VEVENT BEGIN:VTIMEZONE TZID:Europe/Warsaw X-LIC-LOCATION:Europe/Warsaw BEGIN:DAYLIGHT DTSTART:20190331T030000 TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST END:DAYLIGHT END:VTIMEZONE END:VCALENDAR