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UID:32564@night4u.pl
DTSTART;TZID=Europe/Warsaw:20191025T235500
DTEND;TZID=Europe/Warsaw:20191026T060000
DTSTAMP:20191017T215322Z
URL:https://night4u.pl/wydarzenia/street-sects-usawiktor-skok-glitter-glas
 s/
SUMMARY:STREET SECTS (USA)+WIKTOR SKOK &amp\; GLITTER GLASS
DESCRIPTION:STREET SECTS (AUSTIN\, TEXAS USA)\n[ELECTRO INDUSTRIAL SYNTHCOR
 E]\nWIKTOR SKOK &amp\; GLITTER GLASS [DJ'S]\n25.10. GODZ. 23.50 (PO KONCER
 TACH NA SOUNDEDIT) \nWSTEP 20ZŁ\nStreet Sects is an American experimental
  music band from Austin\, Texas formed in 2013\, composed of vocalist Leo 
 Ashline and multi-instrumentalist Shaun Ringsmuth. Their style is extremel
 y abrasive\, characterised by industrial rhythms\, use of screamed vocals\
 , samples of both noise and synthesizers\, and nihilistic lyrics.\nStreet 
 Sects place their work within the categories of electronic\, noise\, punk\
 , hardcore\, industrial\, sample-based\, power electronics and rock. Their
  label\, The Flenser\, described their music as "a feverish marriage betwe
 en industrial music and punk rock" ... "utilizing frantic\, uncompromising
  rhythms and a variety of nightmarish samples". Their style was addressed 
 by various critics in reviews of End Position\, which were generally posit
 ive. Adam Delvin of Tiny Mix Tapes described it as a harsh noise industria
 l hammer punk album"\, noting that "Shaun Ringsmuth is an aural sculptor o
 f rare form\, mixing industrial rhythms made of machine gun parts and burs
 ting crash cymbals with psychedelic\, transgressive melodies of alien orig
 in".Rolling Stone recommended the duo to fans of Big Black\, Youth Code an
 d Agoraphobic Nosebleed\, describing their music as a "lean\, murderous bl
 end of synths\, samples\, pained vocals and industrial rhythms" featuring 
 "nightmarish noise\, punk and industrial punchouts". Tristan Jones of Sput
 nikmusic wrote: "Street Sects combine dirty synths with traces of noisecor
 e and industrial piss\, underscored with thoughts of suicide and misanthro
 py." Dæv Tremblay of Can This Even Be Called Music? called their music "h
 ardcore plunderphonics". Stephen Proski of New Noise Magazine praised the 
 interplay between Ringsmuth's sophisticated musical structures and Leo Ash
 line's (screamed) vocals\, which he called "intimate and vehement".
ATTACH;FMTTYPE=image/jpeg:https://night4u.pl/wp-content/uploads/2019/10/78
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CATEGORIES:łódzkie
LOCATION:DOM\, Piotrkowska 138/140\, Łódź\, 90-062\, Poland
GEO:51.761319;19.459444
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DTSTART:20190331T030000
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